Female spirit of independence

A couple of years ago I traveled to Guinea-Bissau for work. I knew a little bit about the country before going since some of the work I was doing was related to projects being implemented in the capital of Bissau and two other regions of the country. I loved it, although I would still say I know very little about it.

A year before going I can confess that didn’t know anything about it, other than it was in West Africa and that they spoke Portuguese. To my disappointment the second of my “well documented facts” was really only half-true since even though Portuguese is the official language most people speak creole or in some case the language of their specific ethnic group (of which there are plenty of…)

My first contact with (good) African music goes back to when I was 19 or 20, and it was thanks to my uncle who I talked about briefly in another post when I mentioned he got me hooked on Neil Young thanks to the album Harvest. He’s probably the most wide-spread music fan I know. He likes music from all over the world, has a huge collection on his computer and is always trying out new artists from all sorts of genders. To his benefit I must say he’s got pretty good taste.

So it was him who some random weekend introduced me to few well-known artists which I’d never heard of, such as Habib Koité and Amadou et Mariam, both from Mali, or Youssou N’Dour from Senegal. They were all pretty good. It wasn’t my favorite genre, but definitely music worth exploring and great for branching out every now and then.

When my work lead me to learn a little more about Guinea-Bissau I wondered if any good artists had ever come out of there. I had not fucking clue. I think I even asked my uncle, he had no fucking clue. I later learned that Guinea-Bissau, mostly because it’s extremely poor, is a country that is often overlooked, and it’s very hard for elements of its culture to be showcased at the international level. Music being a clear example.

Although to my surprise, after a little research I found out that in the last 50 years (or so) there have been a few artists which have made it out of Guinea-Bissau and have been recognized internationally. One of those is the band Super Mama Djombo, which I discovered after watching a documentary on medical evacuations taking place in Guinea-Bissau. The film was well made, it did a good job shedding light on the severe health situation in the country while at the same time integrating cultural aspects like local dancing and, most of all, music. One of the songs in the soundtrack was titled Baliera, which even though in the movie it’s performed by a young artist I tracked it back to Super Mama Djombo, the original composers and a band whose story is very interesting.

The band was formed in the mid-sixties when most of the members were kids at a boy-scout camp, later growing up to record their first album in the seventies. Their name, the ‘Mama Djombo’ part, is that of a female spirit that was popular among the beliefs of independence fighters at the time. Guinea-Bissau gained independence in 1974 and the band grew in popularity while becoming politically active. After a very successful career, extraordinary by Guinea-Bissau standards, the group separated in 1986… but reunited in 2008 to release a new album called Ar Puro. The song Baliera is from that album and it’s pretty damn good. I recommend giving it a chance, push through the first 10 seconds (which sound like any random African song) and see if you like this electric folky-rythmic, at one point jazzy, tune… recorded in Iceland, but straight out of Guinea-Bissau.

I couldn’t find the lyrics and I don’t speak creole. So no lyrics in this post, hopefully a song you like: