Beautiful lady, so dear to my heart

“You must forgive me, my unworthiness.” – Bob Dylan, Sara

I love songs with girl’s names in the title. I don’t know if that counts as a genre but it very well should, there’s a common element among songs that are boldly dedicated to a girl. I can’t play a single chord, but I can imagine that writing a song to girl knowing that she’s going to listen to it has to be a bit a challenge. There’s an element of exposure that I’m sure has to be similar no matter what type of music you play. So I’ll go ahead and keep writing, because I don’t know chords, but I do know about being exposed.

“You came up behind me, I saw you go by. You were always so close and still within reach.”

I’m trying to think of songs by female artists that have a man’s name in the title and I’m mostly drawing blanks. There’s Carly Simon’s Jesse… not really my cup of tea, Blondie’s Denis… which is a pretty shitty song that for some reason I like, Patti Smith’s Frederick… which I think is great, and the last I can come up with is Janis Joplin’s Me and Bobby McGee… which is an incredible song, but she didn’t write it. She even changed Kris Kristofferson’s lyrics so that it would be about a man, so that loses some points. Are there any good ones I’m missing? I’m sure there are.

“Sweet virgin angel, sweet love of my life”

I will always defend, at the risk of being criticized, that men are better musicians than women… but that’s only thanks to women. I’ll argue till the end of time (but hopefully it won’t come to that) that women stimulate men’s artistic creativity much more than the other way around. Musically speaking, women are a much better influence. I’ve never seen a woman use music to try to pick up a guy, never, but I’ve seen the opposite happen way too many times. My impression is that both male and female musicians share many types of motivation when they’re writing songs (it’s a form of expression, a way to have fun, a way to feel unique, etc.), but men have an extra source of creative motivation. They see music as a means for flirting, seducing, having sex, becoming more attractive… Did I say sex already? I think this shouldn’t be underestimated. How influential was the possibility of getting girls on the songs of Cohen, Dylan, Waits, Springsteen, Cash, Nelson and the others? I’d say a lot. I don’t think getting guys was part of the creative process for Janis Joplin, Joan Baez, Joni Mitchell, Emmylou Harris, Aretha Franklin or Tracy Chapman. Not in the least.

“Loving you is the one thing I’ll never regret.”

So going back to my idea at the beginning of the post… I think is there’s a common element, exposure, in Leonard Cohen’s Suzanne, CCR’s Susie Q (not written by them), Van Morrison’s Gloria, Tom Wait’s Alice, Neil Diamond’s Sweet Caroline, The Rolling Stone’s Angie, Rod Stewart’s Maggie May, etc. These songs had the challenge of appealing to a larger audience while at the same time serving another purpose; they needed to appeal to a specific girl. That’s tough to do, I’m sure many of them were able to accomplish the first but not the second. Who knows if Suzanne or Angela were the least bit impressed. I wouldn’t be surprised if one of them thought “what the fuck is this corny shit?

“How did I meet you ? I don’t know. A messenger sent me in a tropical storm”

I picked the song Sara by Bob Dylan for two reasons: Sara was the name of my first post-puberty crush (a lovely girl based on the 5 minutes of accumulated conversation we had) and because it’s my favorite song within the ‘girl’s name in the title’ genre. I’ve listened to this song a hundred times, I love the lyrics as well as the way it fixates on the name: “Saraaaa, Saraaa…”. I really like that it reminds me of that girl back in high school. Since I hardly knew that girl, since I haven’t seen her since I was 16 and, especially, since I have absolutely no idea what she looks like, who she is or what she’s doing with her life, she can play the role of an “unidentified girl I’m attracted to” in my life. This concept, which I admit to improvising its name, is a very important one. I think we should all have the ability to imagine an unidentified person we’re attracted to, somebody we can’t quite picture but that we conceive as relatively tangible despite not being real. Somebody you can fish out if you’re listening to Sara or Suzanne and want to relate to the lyrics without linking them to somebody in real life. Some things remind you exactly of somebody you know, which is great, but other times this ambiguous figure can play the part. Ambiguous, but not completely. It’s a figure you’ve loosely based on this or that feeling, or experience, so it’s closer than something you’ve just made up. For me it varies, but many times it’s taken the shape of a grown-up version of Sara, whatever her last name might have been. That girl I one had a crush on and whom I thought all these great things of despite hardly ever talking to her. Mix that with a bunch of other traits I’ve thrown her way over time and there she is this unidentified girl I’m attracted to. It’s a good thing to have.

“Staying up for days, in the Chelsea Hotel. Writing Sad-Eyed Lady, of the Lowlands for you.”

If I had to pick a name for a song title I’m not sure which one I would choose (given that Dylan already took care of Sara, the good one, not the one I once met). There’s a name that would cover half of my grandmother’s name, an ex-girlfriend, a close friend, a fling and my current girlfriend’s nickname. I guess that would be a good candidate, although I think these songs should only be about one person, that’s were their value really is. I could pick my girlfriend’s real name, but would run the risk of hearing “what the fuck is this corny shit?” My mother’s name already has a few fitting songs so that wouldn’t be very original. No sisters, daughters or nieces. No lovers, no prostitutes, no ex-wives nor drugs I can subtly refer to by a girl’s name (I lead a very boring life…). I’ll need to keep thinking and fortunately my inability to strike a chord (a musical one, that is) has won me plenty of time. Meanwhile here’s one I relate to unidentified girl I’m attracted to.

“Saraaa, Saraaa. So easy to look at, so hard to define.”

 

Trying to please to the calling

“Well, it’s a marvelous night for a Moondance. With the stars up above in your eyes” Van Morrison, Moondance

A few months ago I asked my girlfriend a very simple question: How many men (ex-boyfriends, admirers, flings, friends…) have told you that the song Brown Eyed Girl Reminds them of you?

“A fantabulous night to make romance, ‘Neath the cover of October skies”

She laughed, digressed a little bit saying she liked the song and then kind of insinuated that a few might have. I’m sure they have, she’s a pretty girl with dark eyes. I didn’t get the number, but my guess would be no less than 3. I can’t blame them really, Van Morrison released an incredible song with the overall message being “you’re my brown eyed girl”, what else needs to be said? Somebody should try to measure the amount of sex that Van Morrison has brought to this world, perhaps only rivaled by the amount induced by Leonard Cohen. Aren’t people at MIT looking into this? Undoubtedly there’s a significant group of guys out there who should send out a collective ‘thank you’ to Van Morrison. I’m definitely one of them, but not because of Brown Eyed Girl.

“And all the leaves on the trees are falling, To the sound of the breezes that blow”

I have never, never, never used the Brown Eyed Girl line and I think every woman should roll their eyes if they ever heard it used on them, but then again who am I to judge. I’d probably love it if somebody told me I remind them of Neil Diamond’s Solitary Man, Lynyrd Skynyrd’s Free Bird or the Highwaymen’s Highwayman. So let’s just all say thank you, thank the artists in question and, most importantly… enjoy the sex or at least get a kick out of somebody rolling their eyes at us. Hopefully it’s the first, but the latter can be fun too.

“And when you come my heart will be waiting. To make sure that you’re never alone”

I know I need to thank Van Morrison, but in my case for Moondance. It’s been my favorite/go-to romantic song for years, as well as my favorite Van Morrison song in general. I first heard it as a teenager in the 90’s when my father bought one of his greatest hits CD that featured Moondance (third track). Although I didn’t start to really like him until several years later, when I began driving and I picked up that same CD to listen to in the car. I remember at the time I was using my grandfather’s car which he wasn’t using anymore. It was 20 years old at the time and it’s still running today, it’s as boxy a car as cars get… and for some reason it has a CD player my grandfather decided to have installed. Inside that shitty car without power steering I discovered how good Van Morrison was, and in the upcoming years discovered the seductive powers of Moondance. I don’t think I’ve used those seductive powers much to my advantage, but I definitely discovered they were there. Ripe for the picking, pro bono courtesy of Van Morrison. Well, not really pro bono at the time, but for the moderate price of 15 bucks.

“Can I just have one a’ more Moondance with you, my love. Can I just make some more romance with a-you, my love”